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The Invisible Cut: How Editors Make Movie Magic Bobbie O'Steen
Publisher: Wiese, Michael Productions

Oct 29, 2011 - Only then can he create those invisible cuts that grab them and keep them on the edge of their seats. - Yochai Benkler, The Wealth of Networks. Studio City, CA: Michael Wise Productions, 2009. They will have The Invisible Cut: How Editors Make Movie Magic. The Two Virtuals: New Media and Composition. "Future generations won't have a 'dependence' on technology. Although when you hold for seventeen and a half minutes, like that dialog scene in “Hunger,” you better make sure that the first cut after that is exactly in the right place (laughs), 'cause it's going to be felt very, very dramatically. May 17, 2010 - The other night I attended a talk given by Bobbie O'Steen (author of The Invisible Cut: How Editors Make Movie Magic) and film editor John Gilroy (Michael Clayton) held downtown at 92YTribeca. Dec 5, 2013 - I think I love music especially because it seems to be made of “ether,” invisible and still affective, a hidden dimension of our vision-centric world. Mar 18, 2014 - But I was struck by a brief, but heart-felt acknowledgment of “the invisible performer in the editing room, Joe Walker.” My first thought was, That's where Lupita's research paid off, and she just nailed the character in a magical way. Part One lays out the rules, strategies and techniques as well as the evolution of editing in movie history. Jul 19, 2010 - "If we are to make this culture our own, render it legible, and make it into a new platform for our needs and conversations today, we must find a way to cut, paste, and remix present culture" (200). Jul 18, 2007 - This is only the second cut of the film (the first ends the exterior shot used for the credit sequence, and brings us into the apartment in which the rest of the movie takes place).